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	<title>Song Contest Blog &#187; A&amp;R</title>
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	<link>http://www.wearelistening.org/blog</link>
	<description>News, tips and resources for songwriters and song contest participants</description>
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		<title>Sellaband</title>
		<link>http://www.wearelistening.org/blog/sellaband/</link>
		<comments>http://www.wearelistening.org/blog/sellaband/#comments</comments>
		<pubDate>Thu, 26 Mar 2009 21:08:13 +0000</pubDate>
		<dc:creator>Lior Shamir</dc:creator>
				<category><![CDATA[Independent Artists]]></category>
		<category><![CDATA[Music Business]]></category>
		<category><![CDATA[Music Marketing]]></category>
		<category><![CDATA[Music Tech]]></category>
		<category><![CDATA[Record Industry]]></category>
		<category><![CDATA[SellaBand]]></category>
		<category><![CDATA[A&R]]></category>
		<category><![CDATA[Artist Financing]]></category>
		<category><![CDATA[Artist Funding]]></category>
		<category><![CDATA[Artist Promotion]]></category>
		<category><![CDATA[Band Promotion]]></category>
		<category><![CDATA[Chuck D]]></category>
		<category><![CDATA[Dagmar Heijmans]]></category>
		<category><![CDATA[Fan Funded Artists]]></category>
		<category><![CDATA[Fan Funded Music Service]]></category>
		<category><![CDATA[Fans Fund Artists]]></category>
		<category><![CDATA[Johan Vosmeijer]]></category>
		<category><![CDATA[Music Discovery]]></category>
		<category><![CDATA[Music Industry]]></category>
		<category><![CDATA[Music Promotion]]></category>
		<category><![CDATA[Pim Betist]]></category>
		<category><![CDATA[Unsigned Artists]]></category>
		<category><![CDATA[Unsigned Bands]]></category>

		<guid isPermaLink="false">http://www.wearelistening.org/blog/?p=1627</guid>
		<description><![CDATA[
When Sellaband launched in August 2006, it introduced music fans and unsigned artists to a revolutionary approach to meeting and collaborating with one another.  By providing a financial incentive at the very core of its proposition, the German upstart pioneered an investment platform that provided fans with a stake in their favourite artists&#8217; assets, and [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1628" title="Sellaband" src="http://www.wearelistening.org/blog/wp-content/uploads/2009/03/sellaband.jpg" alt="Sellaband" width="450" height="105" /></p>
<p>When <a href="http://www.sellaband.com" target="_blank">Sellaband</a> launched in August 2006, it introduced music fans and unsigned artists to a revolutionary approach to meeting and collaborating with one another.  By providing a financial incentive at the very core of its proposition, the German upstart pioneered an investment platform that provided fans with a stake in their favourite artists&#8217; assets, and artists with a means of raising capital for recording and distribution from the folks who care about them the most: their fans.  A seemingly far-fetched idea, the platform took off and, today, boasts an extensive fan funded artist base that has managed to raise over $2,200,000 collectively.  Although a handful of fan funded music dotcoms exist, including <a href="http://www.wearelistening.org/blog/slicethepie-bebo/">SliceThePie</a> and <a href="http://www.wearelistening.org/blog/the-next-big-sound/">TheNextBigSound</a>, Sellaband is leading the trend that has yet to illustrate its full potential as an industry shifting force.  The company is now setting its sights on the US market with a high-profile <a href="http://www.music-news.com/ShowNews.asp?H=SellaBand-and-Chuck-D-hit-US-market&amp;nItemID=25007" target="_blank">endorsement</a> from Chuck D.</p>
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		<title>Slicethepie &amp; Bebo</title>
		<link>http://www.wearelistening.org/blog/slicethepie-bebo/</link>
		<comments>http://www.wearelistening.org/blog/slicethepie-bebo/#comments</comments>
		<pubDate>Tue, 03 Mar 2009 21:09:35 +0000</pubDate>
		<dc:creator>Lior Shamir</dc:creator>
				<category><![CDATA[Independent Artists]]></category>
		<category><![CDATA[Music Business]]></category>
		<category><![CDATA[Music Industry News]]></category>
		<category><![CDATA[Music Marketing]]></category>
		<category><![CDATA[Music Tech]]></category>
		<category><![CDATA[Record Industry]]></category>
		<category><![CDATA[A&R]]></category>
		<category><![CDATA[Artist Financing]]></category>
		<category><![CDATA[Artist Promotion]]></category>
		<category><![CDATA[Band Promotion]]></category>
		<category><![CDATA[Bebo]]></category>
		<category><![CDATA[David Courtier-Dutton]]></category>
		<category><![CDATA[Future of Music]]></category>
		<category><![CDATA[Hal Stokes]]></category>
		<category><![CDATA[Independent Bands]]></category>
		<category><![CDATA[Indie Artists]]></category>
		<category><![CDATA[Indie Band]]></category>
		<category><![CDATA[Indie bands]]></category>
		<category><![CDATA[Music Industry]]></category>
		<category><![CDATA[Music Promotion]]></category>
		<category><![CDATA[Music Resources]]></category>
		<category><![CDATA[Music Tips]]></category>
		<category><![CDATA[Musician Resources]]></category>
		<category><![CDATA[Musician Tips]]></category>
		<category><![CDATA[SellaBand]]></category>
		<category><![CDATA[Slicethepie]]></category>
		<category><![CDATA[Songness]]></category>
		<category><![CDATA[SoundOut]]></category>
		<category><![CDATA[The Next Big Sound]]></category>
		<category><![CDATA[Viral Marketing]]></category>

		<guid isPermaLink="false">http://www.wearelistening.org/blog/?p=1480</guid>
		<description><![CDATA[
Slicethepie and Bebo announced a co-venture this week whereby Bebo members will have the opportunity to grab the A&#38;R seat at Slicethepie&#8217;s artist career-funding network.  Strikingly similar in concept to Sellaband, Slicethepie is tapping into the leading British social network&#8217;s community assets while Sellaband remains very much an independent platform.  The music &#8220;business&#8221; role-play idea [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1481" title="Slicethepie" src="http://www.wearelistening.org/blog/wp-content/uploads/2009/03/slicethepie.jpg" alt="Slicethepie" width="450" height="145" /></p>
<p><a href="http://www.slicethepie.com" target="_blank">Slicethepie</a> and <a href="http://www.bebo.com" target="_blank">Bebo</a> announced a co-venture this week whereby Bebo members will have the opportunity to grab the A&amp;R seat at Slicethepie&#8217;s artist career-funding network.  Strikingly similar in concept to <a href="http://www.sellaband.com" target="_blank">Sellaband</a>, Slicethepie is tapping into the leading British social network&#8217;s community assets while Sellaband remains very much an independent platform.  The music &#8220;business&#8221; role-play idea has been embraced by a number of players in one form or another, including <a href="http://www.wearelistening.org/blog/songness/">Songness</a>, <a href="http://www.wearelistening.org/blog/the-next-big-sound/">TheNextBigSound</a>, and  <a href="http://www.wearelistening.org/blog/soundout/">Soundout</a>, a Slicethepie imprint, based on the belief that if potential fans are provided with both a true hand in an artist&#8217;s fledgling career as well as a financial incentive, consumer loyalty and word-of-mouth shall follow.  Perhaps the shape of things to come.</p>
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		<item>
		<title>Groove Armada &amp; Bacardi</title>
		<link>http://www.wearelistening.org/blog/groove-armada-bacardi/</link>
		<comments>http://www.wearelistening.org/blog/groove-armada-bacardi/#comments</comments>
		<pubDate>Fri, 06 Feb 2009 22:55:28 +0000</pubDate>
		<dc:creator>Lior Shamir</dc:creator>
				<category><![CDATA[Advertising & Branding]]></category>
		<category><![CDATA[Live Music]]></category>
		<category><![CDATA[Music Business]]></category>
		<category><![CDATA[Music Industry News]]></category>
		<category><![CDATA[Music Managers]]></category>
		<category><![CDATA[Record Industry]]></category>
		<category><![CDATA[A&R]]></category>
		<category><![CDATA[B-Live Records]]></category>
		<category><![CDATA[Bacardi]]></category>
		<category><![CDATA[Groove Armada]]></category>
		<category><![CDATA[Matt Morissroe]]></category>
		<category><![CDATA[Midem]]></category>
		<category><![CDATA[Music Brand]]></category>
		<category><![CDATA[Music Branding]]></category>
		<category><![CDATA[Music Industry]]></category>

		<guid isPermaLink="false">http://www.wearelistening.org/blog/?p=1308</guid>
		<description><![CDATA[The partnership between Groove Armada and Bacardi was a hot topic at Midem this year and yet another example of a major music act dumping its label (Sony, in this case) and looking for music-friendly partnerships outside of the traditional music industry ring.  The agreement is intended to help Bacardi become a stronger music-centric brand [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-1309" title="Bacardi" src="http://www.wearelistening.org/blog/wp-content/uploads/2009/02/bacardi_b_live_f.jpg" alt="Bacardi" width="200" height="157" />The partnership between Groove Armada and Bacardi was a hot topic at Midem this year and yet another example of a major music act dumping its label (Sony, in this case) and looking for music-friendly partnerships outside of the traditional music industry ring.  The agreement is intended to help Bacardi become a stronger music-centric brand in the minds of new prospects and tap into Armada (and alike) fans.  Armada will be enjoying some well-funded creative and business license, including greater control over several facets of their business, namely a new digital distribution model slated for launch this year.</p>
<p>Matt Morissroe, A&amp;R Director of Bacardi&#8217;s music division, B-Live Records, spoke in length about the deal&#8217;s schedule and the two parties&#8217; plans to &#8220;share&#8221; new Armada music and release it independently, <em>share </em>being the operative word, not just in terms of this deal but also as the thematic underscore to Midem this year, the largest and most influential music industry summit.</p>
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