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	<title>Song Contest Blog &#187; Digital Music File Delivery Service</title>
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		<title>SoundCloud Interview</title>
		<link>http://www.wearelistening.org/blog/soundcloud-interview/</link>
		<comments>http://www.wearelistening.org/blog/soundcloud-interview/#comments</comments>
		<pubDate>Thu, 16 Apr 2009 13:01:03 +0000</pubDate>
		<dc:creator>Lior Shamir</dc:creator>
				<category><![CDATA[Digital Distribution]]></category>
		<category><![CDATA[Music File Sharing]]></category>
		<category><![CDATA[Music Industry News]]></category>
		<category><![CDATA[Music Tech]]></category>
		<category><![CDATA[SoundCloud]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[Alexander Ljung]]></category>
		<category><![CDATA[Andrew Dubber]]></category>
		<category><![CDATA[Dave Haynes]]></category>
		<category><![CDATA[Digital Music Distribution]]></category>
		<category><![CDATA[Digital Music File Delivery Service]]></category>
		<category><![CDATA[Music Collaberation]]></category>
		<category><![CDATA[Music Streaming Service]]></category>
		<category><![CDATA[New Music Strategies]]></category>
		<category><![CDATA[Sound Cloud]]></category>

		<guid isPermaLink="false">http://www.wearelistening.org/blog/?p=1753</guid>
		<description><![CDATA[
Andrew Dubber interviews Dave Haynes, SoundCloud&#8217;s UK manager.

]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1502" title="SoundCloud" src="http://www.wearelistening.org/blog/wp-content/uploads/2009/03/soundcloud.jpg" alt="SoundCloud" width="450" height="145" /></p>
<p><a href="http://www.newmusicstrategies.com" target="_blank">Andrew Dubber</a> interviews Dave Haynes, <a href="http://www.wearelistening.org/blog/soundcloud">SoundCloud</a>&#8217;s UK manager.</p>
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		<title>Update: SoundCloud</title>
		<link>http://www.wearelistening.org/blog/update-soundcloud/</link>
		<comments>http://www.wearelistening.org/blog/update-soundcloud/#comments</comments>
		<pubDate>Thu, 16 Apr 2009 10:32:17 +0000</pubDate>
		<dc:creator>Lior Shamir</dc:creator>
				<category><![CDATA[Digital Distribution]]></category>
		<category><![CDATA[Music File Sharing]]></category>
		<category><![CDATA[Music Industry News]]></category>
		<category><![CDATA[Music Tech]]></category>
		<category><![CDATA[SoundCloud]]></category>
		<category><![CDATA[Alexander Ljung]]></category>
		<category><![CDATA[Digital Music Distribution]]></category>
		<category><![CDATA[Digital Music File Delivery Service]]></category>
		<category><![CDATA[Music Collaberation]]></category>
		<category><![CDATA[Music Streaming Service]]></category>
		<category><![CDATA[Sound Cloud]]></category>

		<guid isPermaLink="false">http://www.wearelistening.org/blog/?p=1749</guid>
		<description><![CDATA[
SoundCloud, an online music collaboration and large music file management platform, has secured a €2.5 million ($3.3 million) funding round led by Doughty Hanson Technology Ventures.  Details on TechCrunch.
]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1502" title="SoundCloud" src="http://www.wearelistening.org/blog/wp-content/uploads/2009/03/soundcloud.jpg" alt="SoundCloud" width="450" height="145" /></p>
<p><a href="http://www.wearelistening.org/blog/soundcloud">SoundCloud</a>, an online music collaboration and large music file management platform, has secured a €2.5 million ($3.3 million) funding round led by Doughty Hanson Technology Ventures.  Details on <a href="http://www.techcrunch.com/2009/04/14/soundcloud-raises-e25-million-for-professional-music-collaboration-hub/" target="_blank">TechCrunch</a>.</p>
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		<title>Grooveshark Artists</title>
		<link>http://www.wearelistening.org/blog/grooveshark-artists/</link>
		<comments>http://www.wearelistening.org/blog/grooveshark-artists/#comments</comments>
		<pubDate>Tue, 24 Mar 2009 15:45:17 +0000</pubDate>
		<dc:creator>Lior Shamir</dc:creator>
				<category><![CDATA[Grooveshark]]></category>
		<category><![CDATA[Independent Artists]]></category>
		<category><![CDATA[Music Marketing]]></category>
		<category><![CDATA[Music Tech]]></category>
		<category><![CDATA[Ad Supported Free Music Downloads]]></category>
		<category><![CDATA[Artist Financing]]></category>
		<category><![CDATA[Band Metrics]]></category>
		<category><![CDATA[Digital Music Distribution]]></category>
		<category><![CDATA[Digital Music File Delivery Service]]></category>
		<category><![CDATA[DIY Marketing]]></category>
		<category><![CDATA[File Sharing]]></category>
		<category><![CDATA[Free Download]]></category>
		<category><![CDATA[Independent Labels]]></category>
		<category><![CDATA[Indie Artists]]></category>
		<category><![CDATA[Indie Labels]]></category>
		<category><![CDATA[Internet Radio]]></category>
		<category><![CDATA[Jango Airplay]]></category>
		<category><![CDATA[Jango.com]]></category>
		<category><![CDATA[Last fm]]></category>
		<category><![CDATA[Music Discovery]]></category>
		<category><![CDATA[Music Marketing Technology]]></category>
		<category><![CDATA[Music Playlists]]></category>
		<category><![CDATA[Music Streaming Service]]></category>
		<category><![CDATA[P2P]]></category>
		<category><![CDATA[Pandora.com]]></category>
		<category><![CDATA[Pay-to-Play]]></category>
		<category><![CDATA[Reverb Nation]]></category>
		<category><![CDATA[SellaBand]]></category>
		<category><![CDATA[The Next Big Sound]]></category>
		<category><![CDATA[Tinysong]]></category>
		<category><![CDATA[Twisten]]></category>
		<category><![CDATA[Viral Marketing]]></category>

		<guid isPermaLink="false">http://www.wearelistening.org/blog/?p=1610</guid>
		<description><![CDATA[
P2P streaming music service, Grooveshark, has launched an artist promotion initiative – much like the track placement scheme Jango conceived of – as a means for artists and music promoters to purchase plays on its platform, a direct advertising approach that makes sense.  The Gainesville, Florida, company of approximately 40 young entrepreneurs has created a [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1611" title="Grooveshark" src="http://www.wearelistening.org/blog/wp-content/uploads/2009/03/grooveshark.jpg" alt="Grooveshark" width="450" height="94" /></p>
<p>P2P streaming music service, <a href="http://www.grooveshark.com" target="_blank">Grooveshark</a>, has launched an artist promotion initiative – much like the track placement scheme <a href="http://www.wearelistening.org/blog/jango-airplay/">Jango</a> conceived of – as a means for artists and music promoters to purchase plays on its platform, a direct advertising approach that makes sense.  The Gainesville, Florida, company of approximately 40 young entrepreneurs has created a music service that rivals that of Last.fm and Pandora, the two major players in legal music discovery and ‘free’ music streaming.</p>
<p>Grooveshark claims to have deployed a legal music discovery and consumption model, providing its users with a financial incentive to share music, compensating artist/labels for their respective share of ‘broadcasts’, and maximizing illegal file sharing by financing its original sources.  Whether this service is actually legal or not is questionable and it appears that the company has created an expensive model to sustain on ad revenues alone.  However, they’re coming through on some very interesting marketing features for small budget music marketing campaigns.  At its core, <a href="http://artists.grooveshark.com/" target="_blank">Grooveshark Artists</a> offers pay-for-play audio realestate matched to its existing track recommendations and provides analytics tools for track placement optimization. </p>
<p><img class="alignnone size-full wp-image-1612" title="Autoplay Campaigns" src="http://www.wearelistening.org/blog/wp-content/uploads/2009/03/autoplay-campaigns.jpg" alt="Autoplay Campaigns" width="450" height="247" /></p>
<p>In addition, it has partnered up with some of the most talked about music tech startups for music retail, licensing, funding, and more, including <a href="http://www.wearelistening.org/blog/bandcamp/">Bandcamp</a>, <a href="http://www.sellaband.com" target="_blank">Sellaband</a> and <a href="http://www.wearelistening.org/blog/the-next-big-sound/">TheNextBigSound</a>, all under the Grooveshark banner which already includes a number of subsidiary services including <a href="http://www.tinysong.com/" target="_blank">Tinysong</a>, a track link generating tool for viral distribution, and  <a href="http://www.twisten.fm" target="_blank">Twisten.fm</a>, a Twitter crawler that finds music-related tweets and links them to playable tracks.  All of this put together amounts to a powerful enterprise of do-it-yourself marketing and a 360 indie approach akin to <a href="http://www.reverbnation.com" target="_blank">ReverbNation</a>.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.wearelistening.org/blog/grooveshark-artists/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>SoundCloud</title>
		<link>http://www.wearelistening.org/blog/soundcloud/</link>
		<comments>http://www.wearelistening.org/blog/soundcloud/#comments</comments>
		<pubDate>Fri, 06 Mar 2009 18:32:51 +0000</pubDate>
		<dc:creator>Lior Shamir</dc:creator>
				<category><![CDATA[Digital Distribution]]></category>
		<category><![CDATA[Music File Sharing]]></category>
		<category><![CDATA[Music Tech]]></category>
		<category><![CDATA[SoundCloud]]></category>
		<category><![CDATA[Alexander Ljung]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Creative Commons]]></category>
		<category><![CDATA[CreativeCommons]]></category>
		<category><![CDATA[Digital Music Distribution]]></category>
		<category><![CDATA[Digital Music File Delivery Service]]></category>
		<category><![CDATA[Music and Creative Works]]></category>
		<category><![CDATA[Music Producer]]></category>
		<category><![CDATA[Music Producers]]></category>
		<category><![CDATA[Sound Cloud]]></category>
		<category><![CDATA[Stockholm]]></category>
		<category><![CDATA[Sweden]]></category>

		<guid isPermaLink="false">http://www.wearelistening.org/blog/?p=1501</guid>
		<description><![CDATA[
SoundCloud is an online music collaboration and large music file management platform.  The company positioned itself as a digital music exchange offering but it&#8217;s so much more than that.  The SoundCloud audio player displays the waveform of the track, allowing listeners to view and intercept specific segments of the music and comment on it.  As [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1502" title="SoundCloud" src="http://www.wearelistening.org/blog/wp-content/uploads/2009/03/soundcloud.jpg" alt="SoundCloud" width="450" height="145" /></p>
<p><a href="http://www.soundcloud.com" target="_blank">SoundCloud</a> is an online music collaboration and large music file management platform.  The company positioned itself as a digital music exchange offering but it&#8217;s so much more than that.  The SoundCloud audio player displays the waveform of the track, allowing listeners to view and intercept specific segments of the music and comment on it.  As an artist collaboration solution, artists can share, mix, and remix their music under the <a href="http://www.wearelistening.org/blog/bandcamp-and-creative-commons/">Creative Commons</a> licensing designations, enabling the creative process to continue long after the master is &#8216;complete&#8217;.  I particularly like the fact that SoundCloud is a music-oriented digital distribution solution, making it super easy to send and receive music files within a community of producers, engineers, DJs, labels etc. who deal with hefty music files on a daily basis.</p>
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