MUSIC INDUSTRY BLOG

::1:: How To Increase Your Fan Base

Jango’s Basic Geo-Targeting feature allows you to hone in on those regions where Jango listeners love your music most.  If you’ve already run a Jango Airplay campaign, simply check your Geographic Reports in your dashboard for this data.  Then, select the cities and states where you have the strongest following before you run your next campaign.  Not only will you turn passive listeners into loyal fans, you will also establish a local presence, leading to more requests for regional showcases and festival appearances.  And the best part… Basic Geo-Targeting is FREE!

::2:: How To Get Free Jango Airplay Credit

Every Jango Airplay artist has a PopScore.  Each week, artists with the highest PopScores receive free credit.  The PopScore reveals how well your music is resonating with Jango listeners based on your campaign targeting. The more precise your targeting, the higher your PopScore.  Obviously, if you are a Scandinavian Black Metal band targeting Dolly Parton fans, your PopScore will be gasping for air, so make sure you target the artists whose fans are most likely to identify with your music.  Remember, free credit means more plays.  And more plays equals more fans.

::3:: How To Get A Live Showcase

Top Jango PopScore artists get booked at the Wakarusa Festival, The Moondance Jam, The Viper Room in LA and more.  If you climb the PopScore charts, you might find yourself juggling phone calls and trying to decide which event is best for your band.

::4:: How To Make A Lasting Impression

Want to get listener attention, lightning fast?  Make an audio intro and attach it to the front of your song before uploading the MP3 to Jango Airplay.  A quick message, five seconds or less, telling the listener who you are and what they’re about to hear.  This is a simple way for you and your music to get cemented in the listener’s memory.

::5:: How To Rise Above The Noise

For artists looking for additional promotion, Jango Airplay offers robust packages though ‘Airplay PRO’.  These promotions include banner ads on Jango.com as well as customized overlay ad units that appear every time your song plays.  Give away an MP3, promote an album or tour; even run a contest, bouncing the listener directly to your own website.  Here’s a 60 second video demo of how the overlay ad units are served:

In addition, you can get a banner placed in Jango’s listener newsletter, sent to over 3 Million registered users each week.  For more info on these packages email: airplay-premium@jango.com

Comment on this post >>

You’re probably not having any luck getting your songs on the radio, right?

That’s because terrestrial radio doesn’t want you.

You see, record labels have a full staff of professional radio pluggers whose full-time job is to pitch their clients’ record catalog to station managers, playlist programmers, DJs and program producers.

They are insiders − they know all the politics and all the rules.  Their rolodexes are packed with every name, number and email in the industry.

So how are you supposed to compete?

Almost 70 million Americans tune into online radio each month.  Overall listenership exploded by more than a third last year alone.  Online radio has become the single most powerful source of music discovery, which is why up-and-coming artists are falling over themselves to land even a few minutes of airplay on music services such as Jango.

Share your thoughts >>

Music marketing is hard. Really hard.

I have made all the rookie mistakes and then some.

From building websites to building an email list, I have spent a small fortune creating my business. Had I known then what I know today, I could have saved thousands of dollars, spared myself countless sleepless nights, and achieved the success I enjoy today much sooner.

If you’re already enjoying the success you deserve, read no further.

But if you’re feeling disgruntled with the music industry, frustrated with the promise of a multitude of internet services, and darn right pissed off that all the work you’re doing isn’t paying off, please read on. I’ll make it short.

Secret #1: Email Is The Holy Grail
Whether you’re tricking out your MySpace page or performing at your local venue, always think about what you can do to collect more email addresses. Believe me, there is nothing of greater importance than your email list. If you’re not using a professional email service, start now.

Secret #2: Passive Radio Is Passé
Massive online radio sites get your music in front of targeted music fans. They are not your average passive radio listeners, they are music fanatics feverishly searching for music just like yours. Yeah, you have to pay for the privilege, but the exposure you get in return is guaranteed and trackable. In the music biz, it’s hard to find that kind of bang-for-your-buck value. Jango Airplay is the largest online radio promotion service I know of. Are you on it?

Secret #3: Get Professional Help
Whether it’s your songwriting or your marketing (or anything else), never underestimate the value of expert advice. We Are Listening provides professional assessments for songs and lyrics. It’s what we know and what we’re good at. But you can find a service, coach or consultant for any project you wish to fast track to success. The humility required to ask for help and receive critical feedback is the mark of an independent artist and entrepreneur that people want to listen to and associate with. Personally, I can use all the help I can get!

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Brian Hazard of the Music Think Tank published a comprehensive post addressing the pay-for-play model that online streaming playlist service, Jango, adopted as part of its monetization strategy, dispelling the analogy to terrestrial radio payola and drawing references to mainstream advertising mediums.  In March, I promoted Jango Airplay and touched on the controversial issues Brian addresses in his piece but his first-hand experience and engaging write-up of the music dotcom serves the topic more justice: Is Jango Payola?

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P2P streaming music service, Grooveshark, has launched an artist promotion initiative – much like the track placement scheme Jango conceived of – as a means for artists and music promoters to purchase plays on its platform, a direct advertising approach that makes sense.  The Gainesville, Florida, company of approximately 40 young entrepreneurs has created a music service that rivals that of Last.fm and Pandora, the two major players in legal music discovery and ‘free’ music streaming.

Grooveshark claims to have deployed a legal music discovery and consumption model, providing its users with a financial incentive to share music, compensating artist/labels for their respective share of ‘broadcasts’, and maximizing illegal file sharing by financing its original sources.  Whether this service is actually legal or not is questionable and it appears that the company has created an expensive model to sustain on ad revenues alone.  However, they’re coming through on some very interesting marketing features for small budget music marketing campaigns.  At its core, Grooveshark Artists offers pay-for-play audio realestate matched to its existing track recommendations and provides analytics tools for track placement optimization. 

In addition, it has partnered up with some of the most talked about music tech startups for music retail, licensing, funding, and more, including Bandcamp, Sellaband and TheNextBigSound, all under the Grooveshark banner which already includes a number of subsidiary services including Tinysong, a track link generating tool for viral distribution, and  Twisten.fm, a Twitter crawler that finds music-related tweets and links them to playable tracks.  All of this put together amounts to a powerful enterprise of do-it-yourself marketing and a 360 indie approach akin to ReverbNation.