Take Your Time, Listen To Others And Collaborate
February 27th, 2010 by Lior ShamirThis is a guest post by Dave Kusek
Again and again, I have heard this sage advice when asking producers, label executives, and publishers about artist development. Take your time. The first and most important thing to do is to get the music right: love your music, immerse yourself in it, and live it.
As an artist/writer, your coin of the realm is your songs, and they need to be great, polished, and professional. The worst thing you can do is go to market too soon. Without careful preparation, practice, understanding, listening to others, testing your material, developing its quality, and crafting and articulating a unique story to tell, you will probably enter the marketplace too early and will most likely fail. Start out slowly. Practice. A lot.
Another critical component of artist development is live performance. Any venue will do to get started. Play the smallest clubs to get used to performing and being in front of an audience. Everybody gets better over time, and live performance in front of a crowd does many positive things for your career. When you play live, you develop sets of songs that you play and expand your repertoire. Don’t be afraid to play other people’s material mixed in with your own. Covers create a sense of familiarity that you can use to build your audience. You are also learning by playing the songs of other great artists.
Performing live helps you build your confidence and song quality, lets you interact with an audience, and experience their reactions to your songs. Also, when you play live, you can test out different material and approaches to your songs. You can experiment and find out new things about the song, tempo, bridge, chorus, lyric, etc. You can see which songs are the most popular, what should be the rhythm of your set, where the audience loses its attention, and how best to open and close a show.
Live performance and touring is a major cornerstone to any artist’s career and is one of the best ways to develop an audience. Over time, your audience will grow with you as you refine your art. Superstars Bruce Springsteen, Billy Joel, James Taylor, Paul Simon, and countless others all played small clubs for very minimal dollars at first, refining their approach, music, and brands to small audiences that grew over time. Just look at the size of their audiences now.
Many successful executives have told me that good music finds an audience and is very difficult to keep under wraps. If you want to have a long career in the music business, take a good look at yourself, who are you, and the package that you bring to the table. Do you have the songs, do you have the talent, do you have the charisma, and are you really ready to go to market? Develop, refine, write, practice, play live, listen, and collaborate.
Listen To Others
Great artists and writers take the time to develop, but they also listen to people around them who they can trust to give them feedback and keep them honest about what they are trying to do and how well they are accomplishing it. This is role of the A&R person, record producer, publisher, and artist manager. You simply cannot believe your own press and expect to be successful. You also cannot rely on your mother or family to be objective about what you are doing. You need to get honest opinions from a lot of different people who will tell you the truth. Listen carefully to them as a sounding board for your career and ask hard questions like the following: Do you like my songs? How do I look on stage? What do I need to do to improve? What advice can you give me?
Your fans are the ultimate source of feedback. Set up a blog or some other means of creating two-way communication. Encourage people to tell you what they think. Hand out postcards at your gigs, collect your fans email and cell phone numbers, and ask them what they think of your set, your songs, your performance, etc. Don’t be afraid of what you might hear, and use the feedback to learn, refine, and further develop your brand and music.
Collaborate
Having a band is a great way to collaborate, and hopefully you will find other musicians to play and write with at various points in your career. Another hallmark of great artists and writers is that they work with different musicians to write songs, perform together, cover each other’s songs, and most importantly learn from one another. Collaboration and the exchange of ideas are the life-blood of creative artistry.
Collaboration does not mean that you are joined at the hip with another artist forever. You can move in and out of collaborative partnerships when you need something new to spark the creative juices or just get you going in another direction. Working with other talented musicians can be a challenge. Quincy Jones has great advice for when you walk into the studio to work with other artists. He says, “Check your ego at the door.” Find people you can work with, who you enjoy being around, and who make you feel good.
There are many examples of great songwriting collaborations, including Holland, Holland & Dozier, Lennon and McCartney, and Elton John and Bernie Taupin. The list is long. Don’t be afraid to cowrite with other people or to record other songwriter’s material. This can help you reach a broader audience, develop your talents in new directions, and potentially open up your brand by association with other great artists.
One of the most successful songwriters of the last 30 years is Don Henley of the Eagles. He talks about identifying your strengths and weaknesses through collaboration with great writers like Jackson Brown and Glen Frey, and being willing to put someone else’s songs on your record if they are better than your own. Seems to have worked for him.
Many of the most successful songs of all time have come out of collaborative partnerships that were organized on a formal level at some of the songwriting factories of the past, including the Brill Building, Motown, and Philadelphia International. Collaboration helps you to stand on the shoulders of others and to peer over a horizon that you might not be able to see on your own.
About The Author
Dave Kusek is the Founder and CEO of Music Power Network and Vice President at Berklee College of Music. He is also the co-author of the best selling music business book, The Future of Music: Manifesto for the Digital Music Revolution.

March 4th, 2010 at 12:17 am
Very good advice. Some I am doing. One is preparing really fine demos with top session musicians so label execs, et. al. can hear what I heard when I was inspired to write a song. This also creates a fine song to be played by everyone – friends, family, whether it is ever “published” by a label. After all, if I love the song when I created it, I want listeners to love it and hear it the way I did, too.
Also, collaboration I find is essential. I am collaborating with fine musicians, arrangers, vocalists – and I listen to their advice and input their changes where appropriate. I believe there is no artistic effort that is not basically a collaboration in some way. And the results on my songs, at least, are far better than when I have worked alone.
I also like the advice about listening more and performing a lot to get better. I need to do much more of that.
Thanks!
March 4th, 2010 at 11:05 pm
I find when I collaborate with other people I seem to produce my best songs. For some reason I thrive that way, whereas when I work alone I don’t finish the songs as polished as I would with others. I recently did my first online collaboration with a guy I met on Myspace and he sent me is vocals (he sung vocals) and I wrote the music. The song is called Perfect Combination.
I think feedback is very important because it gives you some direction in what you are doing and it either gives you a thumbs up or down with songs. With Perfect Combination I showed it to a few friends of mine and they got ecstatic, saying the song is great and I found it hard to believe. So that is a good sign I’m in the other direction. So feedback is very important in improving ones skills and learning from opinion. If someone says something not so nice and they are being constructive, then don’t take it to heart. Simply learn from it and move on.
I will give you an example of my presence on myspace. I have started an “Online Musicfest” where I add a song per week. I have a blog and people leave comments and that is helpful in keeping contact with people and the best of all they give me some feedback.
http://www.myspace.com/vicstathopoulos
Some people might think blogs are waste of time, but if you are reading this blog, it proves that many are not. At first I was sceptic, but the more you do it, it seems the more people return and ulimately there is more interaction with the listeners.
Now the issue of Live Performance is a bit tricky. If you are not at the stage of doing that, then one simple thing you can do is sing in the shower or when you go for a walk in the street when no one is looking. Okay it is a bit non- conventional, but it is a good way of practicing your vocals. Alternatively join a band and that way you can access the stage. If are you are in a band and don’t have any oportunties to play, then try to get an agent or read this blog for ideas.
In conclusion, be youself, listen, perform and the most important thing is be yourself.
Vic Stathopoulos